- Grandmothers posing with their signature dish. (2014)
- Old: David Kinch’s (Manresa) Tokyo journal (2009)
- “How Chefs feel about food critics and food bloggers” (2012)
- MAD debates future of food criticism.
- Chez Pim talks about cooking for Alain Passard (2011). She’s now running Kin Khao in San Francisco.
- A documentary on Bernard Pacaud’s life and l’Ambroisie. (pre-2007) In French. Anyone have a subtitled (English or French) copy of this?
- Julot psycho-analyses Bernard Pacaud (2007). Also, a review of 3-stars in Paris circa 2007.
- A recent NYTimes article on French producers promoting the Burgundy truffle (2014) as an acceptable substitute for Perigord truffles (actually more likely to be found in SE France). It’s 1/4-1/2 the cost of the $1,200/pound Perigord (in bad years), and now France produces only about 40 tons of black truffle per year
“Mr. Chabert has called in the chef Jean-Luc Barnabet to test recipes with the Bourgogne, or Burgundy, truffle, which is routinely snubbed in favor of its aristocratic cousin. He has created a scientific association to study it and has begun a national public relations campaign to promote it. Last month, he invited a dozen of the nation’s leading truffle experts to dine, serving them cream-cheese-filled choux pastries, puréed potatoes, dessert macarons and a sabayon parfait — all made with Burgundy truffles. They oohed and aahed.
“The Périgord truffle will always be higher class and more valued all around the world,” Mr. Chabert said. “But we need diversity and flexibility. France needs the Bourgogne.”
[…]The Burgundy variety has a lighter, sweeter, less pungent smell, and it loses its taste in cooking. Even at Mr. Chabert’s dinner, the scallops had to be prepared with Périgord truffles. But when the Burgundy is freshly harvested and fully mature, it works just fine raw.”
- The spectre of Chinese truffles (1995)
“Another, cheaper kind of black truffle, the tuber himalayensis from China, has been flooding the market. This influx has created a problem because unscrupulous dealers in France have been mixing the two and selling them all as French truffles, tuber melanosporum, to restaurants. Dealers in the United States have been doing the same.Although the two types look the same, the Chinese truffles, when cut, are likely to be blacker, with less veining. They tend to have a chemical odor and very little flavor.”
- A glimpse of Parisian haute-cuisine in 1982.
- In-depth conversation with Pierre Gagnaire.
- Biography of Paul Bocuse.
- Chef owner Davide Oldani of 1* Michelin D’O talks about how he makes his 1* food affordable (2013) in Harvard case study. No waiters, seasonality, cataloguing all edible parts, getting heftier glasses to reduce breakage costs, lowering rent by locating outside central Milan. His dilemma is his next step.
Michelin-one-star-rated restaurants in Europe have an average of 36 employees on the payroll, according to the case. D’O keeps a lean crew of 14 by multitasking. Oldani does not employ any professional waiters. Rather, the chefs at D’O take turns waiting tables. (In fact, when Pisano first dined there, Oldani was his waiter.) This leads to a significant reduction in labor costs, even while allowing Oldani to pay his staff higher-than-average wages. Still, the chef insists that the strategy is less about finances than about customer relations. [Kenneth: Note, similar to how Schwa keeps costs down in Chicago]
“You can’t fully explain a dish that you haven’t prepared yourself,” Oldani said. “When a cook explains a dish, he can explain it very well because he made it. He doesn’t explain what he heard about a dish, he explains what he made.”[…] Oldani espouses the philosophy of “POP cuisine,” which aims for accessibility to a broad audience, in terms of both taste and cost. He maintains that he keeps food costs down and flavors bright simply by buying ingredients only when they are in season. “Ingredients are less expensive and of higher quality when they are in season,” Oldani said. “Following the season is the most important thing to do in the applied economics of a restaurant.”
The chef also is fervent about not wasting food. The case includes a lengthy list he keeps in his office at D’O, detailing the edible portions of some 70 ingredients. A sea bass has an “edible share” of 47 percent, compared to 60 percent of a hake, for example. A fig: 90 percent. A strawberry: 99 percent. A lemon: 26 percent (juice) + 2 percent (grated lemon peel—only the yellow part, of course).
Table settings receive similar consideration, both sensory and economic. On the sensory side: He has designed several eating utensils, including an espresso spoon that sports a hole in the middle so as not to break up the continuity of the crema on top. On the economic side: “He chooses glasses based on breakage costs,” Pisano said.
- Reflection on High-End American dining (Gastromondiale, 2012)
- The Economics of Dessert/Pastry Chefs in NYC (2014)
- Very excited to try the Tippling Club, reviewed by Aun Koh here. (2014)
- Joel Robuchon restaurant is reviewed very favorably by food blogger Bu Pun Su on CH. (2014)
- The Labyrinth (Modern Singaporean food!!) is reviewed by Evelyn Chen. Looks like a very interesting set of modernist takes. (2014)
- Singapore’s food security strategy.